Structure is one of the most discussed and important words in fiction writing. There are many theories of what exactly structure is. Screenwriting texts and experts, for example, often declare that structure is the proper placement of plot points or the use of sequences and acts. These organizing principles are essential to a script, but they relate, I believe, not to structure but to form. Form is the external shape of a script, of how its content– its events and scenes–are molded. Form is not the content of a story. Actual structure, I believe, is the content. And content is always king.
- A Plot Structure Diagram
- Plot A Structure Matlab
- A Plot Structure
- The Plot Structure Of Commedia Dell'arte
What is plot structure? I'm using the terms plot structure and plot formula synonymously. I'm sure every writer has their own definition, but for the purposes of this post, I'd like to define a plot structure or plot formula as any simplified story framework that helps you create your own story. In plot structure, exposition is the initial situation of the characters when the story begins. Short stories often begin in medias res, a Latin phrase meaning 'in the middle of things,' introducing the main conflict immediately without much backstory. For example, the exposition in Flannery O'Connor's 'A Good Man is Hard to Find' reveals that.
To create a story, a writer must first construct its central conflict, that is, its basic character goals and conflicts and the key problem of the story. Then the writer develops this central conflict into a long series of logically connected events with a beginning, middle and end; that is, with a set-up, the conflict development, and a climax. The storyline grown from a central conflict is the structure. As a simple example, consider the original Die Hard film. Its premise or central conflict is this: A tough and resourceful New York City policeman flies to Los Angeles for Christmas to win back his estranged wife, but just as he meets her, she and her co-workers are kidnapped by terrorists and held hostage in their locked down skyscraper. The policeman must evade the terrorists hunting him to rescue his wife and the other hostages, alone. The plot of Die Hard is the events that are developed from this central conflict. That is, all the murders, fights, escapes, counterattacks and relationships in the film, all the escalating complications, are applications or expansions of this central conflict. A central conflict is the plot seed that logically determines the nature of the plot tree.* The plot itself, this series of logically connected complications, is the structure. Where you place an inciting incident, plot points, act breaks and how you use sequences, the external frame or shape of a story, is only the form of your script. To emphasize the point: the structure is your series of connected events logically grown from and determined by a central conflict. Think: form is the exterior shape of your story, structure is its interior content/events. (This analysis leaves out how a writer can (and should) also organize his plot using important dramatic techniques such as mystery and suspense lines, dramatic irony, surprise and deception.)
When creating a story, content must be king: plot structure comes before form. That is, a writer (generally) creates the main character conflicts and the logically developed and connected plot events before he solidifies these into sequences and acts. Consider the issue this way: What is more important to a good story: intriguing characters and exciting conflicts organized in a dramatic, logical series of events? Or ordinary characters and clichéd events perfectly organized into sequences and acts? Also ask yourself: do you want your draft to be perfectly shaped gold or mud? I firmly believe that it is best to create the major content/events first, and then worry about how to best shape these. (That is not to say that a writer can't go back and forth between content and form but content must come first creatively.)
And please note that I am not saying that form is not important. It is. But today there is way too much discussion of how to properly shape a story (plot points, blah blah) and not enough on how to create original characters and dramatic plots. There are many current movies that are well 'structured' (plot points in the perfect places!) but the content of these films is awful.
The two hardest parts of writing a good story are creating an original, layered and integrated central conflict and then developing this into an exciting series of escalating, logically connected and climaxed events. I believe that a writer should at first focus on these two very difficult fundamentals. Let me help you construct a central conflict so that it is a rich seed that you can develop into a great plot structure.
Article originally posted here: https://www.linkedin.com/pulse/write-great-script-focus-plot-structure-form-scott?trk=portfolio_article-card_title
Casino night zone boss. http://www.readwritethink.org/classroom-resources/student-interactives/plot-diagram-30040.html
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| Grades | 1 – 12 |
| Interactive Type | Organizing & Summarizing |
| Tech Requirement | |
| URL | http://www.readwritethink.org /files/resources/interactives /plot-diagram/ |
Overview
The Plot Diagram is an organizational tool focusing on a pyramid or triangular shape, which is used to map the events in a story. This mapping of plot structure allows readers and writers to visualize the key features of stories.
The basic triangle-shaped plot structure, representing the beginning, middle, and end of a story, was described by Aristotle. Gustav Freytag modified Aristotle's system by adding a rising action and a falling action to the structure. This interactive version of the graphic organizer supports both Aristotle's and Freytag's conceptualizations of plot structures.
Lessons That Use This Interactive
Grades K – 2 | Lesson Plan | Standard Lesson
From 'once upon a time' to 'happily ever after,' students learn to recognize story structure in fairy tales and create a logical sequence of events when writing original stories.
When creating a story, content must be king: plot structure comes before form. That is, a writer (generally) creates the main character conflicts and the logically developed and connected plot events before he solidifies these into sequences and acts. Consider the issue this way: What is more important to a good story: intriguing characters and exciting conflicts organized in a dramatic, logical series of events? Or ordinary characters and clichéd events perfectly organized into sequences and acts? Also ask yourself: do you want your draft to be perfectly shaped gold or mud? I firmly believe that it is best to create the major content/events first, and then worry about how to best shape these. (That is not to say that a writer can't go back and forth between content and form but content must come first creatively.)
And please note that I am not saying that form is not important. It is. But today there is way too much discussion of how to properly shape a story (plot points, blah blah) and not enough on how to create original characters and dramatic plots. There are many current movies that are well 'structured' (plot points in the perfect places!) but the content of these films is awful.
The two hardest parts of writing a good story are creating an original, layered and integrated central conflict and then developing this into an exciting series of escalating, logically connected and climaxed events. I believe that a writer should at first focus on these two very difficult fundamentals. Let me help you construct a central conflict so that it is a rich seed that you can develop into a great plot structure.
Article originally posted here: https://www.linkedin.com/pulse/write-great-script-focus-plot-structure-form-scott?trk=portfolio_article-card_title
Casino night zone boss. http://www.readwritethink.org/classroom-resources/student-interactives/plot-diagram-30040.html
Contribute to ReadWriteThink / RSS / FAQs / Site Demonstrations / Contact Us / About Us
Download the plug-in tools you need to use our games and tools, or check to see if you've got the latest version.
Looking for ways to engage your students in online literacy learning? Find more interactive tools that help them accomplish a variety of goals-from organizing their thoughts to learning about language.
Your students can save their work with Student Interactives.
Home › Classroom Resources › Student Interactives
Student Interactive
E-mail / Share / Print This Page / Print All Materials (Note: Handouts must be printed separately)
DIGG
STUMBLEUPON
DEL.ICIO.US
NEWSVINE
| Grades | 1 – 12 |
| Interactive Type | Organizing & Summarizing |
| Tech Requirement | |
| URL | http://www.readwritethink.org /files/resources/interactives /plot-diagram/ |
Overview
The Plot Diagram is an organizational tool focusing on a pyramid or triangular shape, which is used to map the events in a story. This mapping of plot structure allows readers and writers to visualize the key features of stories.
The basic triangle-shaped plot structure, representing the beginning, middle, and end of a story, was described by Aristotle. Gustav Freytag modified Aristotle's system by adding a rising action and a falling action to the structure. This interactive version of the graphic organizer supports both Aristotle's and Freytag's conceptualizations of plot structures.
Lessons That Use This Interactive
Grades K – 2 | Lesson Plan | Standard Lesson
From 'once upon a time' to 'happily ever after,' students learn to recognize story structure in fairy tales and create a logical sequence of events when writing original stories.
Related Classroom & Professional Development Resources
Grades K – 12 | Student Interactive | Organizing & Summarizing
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Students generate descriptive timelines and can include images in the description.
Grades K – 12 | Student Interactive | Organizing & Summarizing
The Story Map interactive is designed to assist students in prewriting and postreading activities by focusing on the key elements of character, setting, conflict, and resolution. Grand z casino hotel reviews.
Plot A Structure Matlab
Grades 3 – 8 | Printout | Graphic Organizer
A Plot Structure
After students read a short story or chapter of a novel, they can use the Narrative Pyramid to reflect on key ideas and details.
The Plot Structure Of Commedia Dell'arte
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